Witch's Familiars

You know it's a good concert when you need two days to recover. I didn't do a lot of dancing because it got pretty packed at the end, but I did my share. At first, there was some worry about it filling up, but then I found out there were two opening acts and it made more sense. I didn't give up my spot right up front at the stage, though. There wasn't any taking me away from that.

I was the twelfth person in line about 15 minutes before doors opened. I chatted some with the people in front of me and the person behind me about things like subway lines, the last round of Voxtrot concerts about three years ago, the round about 16 years before that, how the average age of Bruce Springsteen fans stays consistent because he keeps getting new fans, stuff like that. I had to pass through a metal detector and said, "No pockets, no problem." Waiting for the floor to open, several people ahead of me got their phones scanned, but somehow I got skipped over. I waited for it and then was told we could walk right in. So I went up front row center, if there were rows. Center stage, certainly. Right in the middle.

I took pictures of people on request and kept chatting. One of the women to my left kept checking social media and I had to ask her, "Does it spark joy?" One of the men to my right was glad I reminded him of the Artemis splashdown, which was why during the first songs of the first opening act, on a cell phone propped up against a speaker, we watched the last four minutes of the mission, every parachute accounted for. It had me feeling a lot of things, and I still need to sit with it.

The first opening act was a four-person jam band, kind of like Explosions in the Sky meets Bon Iver. The second opening act was one man with a guitar, and because I was right up front, when he mentioned how nobody knew where Halifax was, he heard me when I exclaimed, "The Maritimes!"

There was some waiting. There was judging on when to go to the bathroom, the etiquette of saving spots, the general vibe of everyone being there for the same reason. There was some chatting about travel plans and museums and software engineering and public transportation infrastructure. I saw someone put out the setlists and didn't look on purpose so I'd be surprised. I chatted some more to keep myself distracted, and then I saw Voxtrot come out. I'd seen the first two opening acts come in and go out through a side door to the stage so I knew where to look. I kept checking, and I saw some light coming through.

And I saw the silhouette of a man whose work I've loved for years.

He introduced himself and his band. He talked about playing the same location about 20 years ago. I looked behind myself to take in the audience in the soft blue-white light, just a glimpse of all the happy faces behind me, around me, surrounding me on the dance floor and the flanking wings and the mezzanine. Then I looked at the stage and didn't look away. There wasn't anywhere else to look.

We all sang along. We all knew the words and more than a few times, I realized I was hearing the crowd just as much as the lead singer. I sang and shouted, I swayed, I moved a bit, and then I started dancing as much as I could on a packed floor. Jumping up and down, rocking my arms, pumping my fists in the air, not a lot of stuff moving back and forth or forward and back, but in the unit of space I had, I made the most of it. A few times I wondered if I was given more space because of my braid swinging around. Then I stopped wondering and kept on dancing. Having the stage to brace myself against meant I could seriously jump. Being so close meant I could see everything as it was happening, and it was a thrill to be so close I could feel the music just as much as I heard it.

They played some new songs and a bunch of old ones. They went pretty far back, going all the way to the first song on their first EP to the last song on the latest album, so they really ran through everything. They played the hits and they played the songs they'd come around to knowing were hits all along - all killer no filler, as the saying goes. The energy was carefully cultivated, building everyone up to make sure that when they ended on a party note, a big-sound song for dancing, we would go home with spirits running high. They talked about where songs had been written, how the tunes developed, and one of the best things about live bands is seeing how it's all done. Hearing a specific set of notes and seeing the guitarist or the bassist or the drummer make those notes as I watch, looking at their hands on their instruments and putting it all together that yes, it's human hands all along.

The band danced up on stage, jumping around or simply grooving to it. There were a couple songs where the singer conducted the audience's clapping along, and it was clear all five of them meant everything they were doing. They were having a grand time up there and played in both senses, the musical and the fun.

I didn't get a chance to print the ticket, so after the encore, I grabbed a setlist. I made it back just before midnight, grabbing pizza to eat with ice cream to get my body to slow down some and some high proof bourbon I've had saved for a very special occasion because I couldn't think of an occasion more special than seeing Voxtrot.